Vermeer Chinrest Violine in Rosewood, ZK-282
ZK-282
Mounted on the left side, with a wing that reaches over and around the tailpiece. Large, flat rounded plate with a low edge. Rosewood with a warm reddish brown figure and the white Götz mark.
- Lets the chin travel from the side section to over the tailpiece; plenty of freedom of movement
- Screws and barrels in metal
- Barrels up to 27 mm for the 4/4 violin
Technical data
| Model | Vermeer |
| Material | Rosewood |
| Fittings | Screws and barrels in metal |
| Instrument | Violin |
| Item number | ZK-282 |
Features
- Contact points lined with Portuguese cork
- Height means the distance between the top and the plate. It depends on neck length and shoulder rest: those who set the instrument high get by with a flat chin rest, those who carry it lower need more height
- Higher models are usually heavier. In our experience a heavier chin rest makes the sound a little warmer and darker; a light one leaves it more open
Sound and physics
The chin rest sits on the lower bout of the violin and is clamped to the rib with a metal bracket. Its clamp grips over or beside the bottom block, the wooden block inside the body that holds the end pin and reinforces the rib at this point.
The resting chin creates a hold between shoulder and head, and the violin is carried almost entirely by this hold; the left hand supports it only slightly.
Acoustically, the chin rest adds a mass with its own damping to the edge of the body through a few contact points. It therefore mainly slows those natural vibrations of the body that move strongly at these contact points, and leaves free those that have a node (a point at rest) there.
The violin chin rests we have weighed come to between around 41 g and 80 g including screws, depending on model, wood and fittings. With closed screws the barrel sets the height above the rib; violin barrels come in 25, 27 and 29 mm, and most of our violin models take barrels up to 27 mm. With the Hill fitting, by contrast, the feet are firmly joined to the chin rest.
The rosewood of our chin rests is East Indian rosewood, botanically Dalbergia latifolia, Palisander in German. Its density at 12 % moisture content is 820 to 920 kg/m³. Among the three woods we use for chin rests, rosewood therefore sits in the middle: denser than boxwood, lighter than ebony.
On the violin Berber, which has the same shape in all three woods, the rosewood version with standard metal fittings weighs around 49 g, the ebony version around 56 g, the boxwood version around 45 g. For the same model the dimensions are the same in every wood; in height two pieces may differ by up to 1 mm, because each is made by hand from natural wood.
We make the Vermeer in Saxony; the violin version ZK-281 in ebony weighs 60 g net. Its present curvature is flatter than that of the original shape, which we adapted a little over two decades ago. The Vermeer is built with closed screws; a conversion to Hill screws is not planned.
For a central head position we name it alongside the New Flesch, the Flesch Traditionell and the Berber.
Our experience
Before we recommend a model, our first question is whether the chin prefers to rest beside the tailpiece or centrally over it. Our experience when tightening: a chin rest only needs to sit firmly enough to hold securely, because the rib beside the bottom block is more delicate than the spot directly over the block. If the chin rest touches the tailpiece, we solve it through the angle of the screws or with a slightly longer barrel.
When a chin rest is to match a set of fittings in colour, we will pick out a slightly lighter piece of rosewood on request; the variation between pieces is usually small. For us a rosewood chin rest and a rosewood tailpiece make a harmonious set.
When another model suits you better
Anyone seeking the central position with clear support in the middle will find it in the Flesch Traditionell.
Frequently asked questions
What material belongs at the contact points?
Natural cork without coating, so that the chin rest does not slip and no metal touches the varnish; pressed cork is unsuitable because it crumbles over time.
Is Palisander the same as rosewood?
Yes, Palisander is the German and rosewood the English name for the same wood.
Are the dimensions in rosewood the same as in ebony?
Yes, for the same model the dimensions are identical; in height, natural wood and handwork produce small deviations of up to around 1 mm.
Do I need CITES papers for a rosewood chin rest?
No, because since 14 December 2019, musical instrument parts made of East Indian rosewood (Dalbergia latifolia) have been exempt from CITES certification; our rosewood chin rests therefore reach you without a separate certificate.
Can the Vermeer be converted to Hill screws?
No, the Vermeer is built for closed screws; it is, however, made in a titanium -T version.
These texts hold decades of experience and a great deal of heart. They are protected by copyright, C.A. Götz jr. GmbH. Please ask us before any use. Thank you for your appreciation.
