Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW
Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW
Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW
Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW
Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW
Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW
Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW

Morawetz Chinrest Violin Rosewood, ZK-4841R-LOW

ZK-4841R-LOW

Mounted on the left side, with wings towards the tailpiece. Rounded dip with an additional step at the edge. Rosewood with a warm reddish brown figure and the white Götz mark.

  • Available in three plate heights, so it can be matched closely to neck length
  • Low plate (1.8 cm), for a short neck
  • Screws and barrels in metal

Technical data

ModelMorawetz
MaterialRosewood
FittingsScrews and barrels in metal
InstrumentViolin
Item numberZK-4841R-LOW

Features

  • Contact points lined with Portuguese cork
  • Barrels up to 27 mm for the 4/4 violin
  • Height means the distance between the top and the plate. It depends on neck length and shoulder rest: those who set the instrument high get by with a flat chin rest, those who carry it lower need more height
  • Higher models are usually heavier. In our experience a heavier chin rest makes the sound a little warmer and darker; a light one leaves it more open

Sound and physics

The chin rest sits on the lower bout of the violin and is clamped to the rib with a metal bracket. Its clamp grips over or beside the bottom block, the wooden block inside the body that holds the end pin and reinforces the rib at this point.

The resting chin creates a hold between shoulder and head, and the violin is carried almost entirely by this hold; the left hand supports it only slightly.

Acoustically, the chin rest adds a mass with its own damping to the edge of the body through a few contact points. It therefore mainly slows those natural vibrations of the body that move strongly at these contact points, and leaves free those that have a node (a point at rest) there.

The violin chin rests we have weighed come to between around 41 g and 80 g including screws, depending on model, wood and fittings. With closed screws the barrel sets the height above the rib; violin barrels come in 25, 27 and 29 mm, and most of our violin models take barrels up to 27 mm. With the Hill fitting, by contrast, the feet are firmly joined to the chin rest.

The rosewood of our chin rests is East Indian rosewood, botanically Dalbergia latifolia, Palisander in German. Its density at 12 % moisture content is 820 to 920 kg/m³. Among the three woods we use for chin rests, rosewood therefore sits in the middle: denser than boxwood, lighter than ebony.

On the violin Berber, which has the same shape in all three woods, the rosewood version with standard metal fittings weighs around 49 g, the ebony version around 56 g, the boxwood version around 45 g. For the same model the dimensions are the same in every wood; in height two pieces may differ by up to 1 mm, because each is made by hand from natural wood.

We make the Morawetz in three heights: Low, Med and High.

  • Low: plate 1.8 × 10.0 × 5.5 cm, 45 g including screws
  • Med: plate 2.4 × 10.6 × 5.6 cm, 52 g including screws
  • High: plate 2.8 × 10.4 × 5.3 cm, 61 g including screws

The figures are measured on the violin, with barrels up to 27 mm. Between Low and High, 1 cm more plate height adds around 16 g on the scales. Low and Med are close in their dimensions; they differ clearly in plate height, 1.8 against 2.4 cm. Portuguese cork sits at the contact points.

Our experience

Before we recommend a model, our first question is whether the chin prefers to rest beside the tailpiece or centrally over it. Our experience when tightening: a chin rest only needs to sit firmly enough to hold securely, because the rib beside the bottom block is more delicate than the spot directly over the block. If the chin rest touches the tailpiece, we solve it through the angle of the screws or with a slightly longer barrel.

When a chin rest is to match a set of fittings in colour, we will pick out a slightly lighter piece of rosewood on request; the variation between pieces is usually small. For us a rosewood chin rest and a rosewood tailpiece make a harmonious set.

For anyone looking for more height and hold at the chin, we often recommend the Morawetz High.

When another model suits you better

Anyone looking above all for chin support will be well served by the Stüber, which of our models is the one most strongly designed for it.

Frequently asked questions

What material belongs at the contact points?

Natural cork without coating, so that the chin rest does not slip and no metal touches the varnish; pressed cork is unsuitable because it crumbles over time.

Is Palisander the same as rosewood?

Yes, Palisander is the German and rosewood the English name for the same wood.

Are the dimensions in rosewood the same as in ebony?

Yes, for the same model the dimensions are identical; in height, natural wood and handwork produce small deviations of up to around 1 mm.

Do I need CITES papers for a rosewood chin rest?

No, because since 14 December 2019, musical instrument parts made of East Indian rosewood (Dalbergia latifolia) have been exempt from CITES certification; our rosewood chin rests therefore reach you without a separate certificate.

How much does the Morawetz weigh?

Measured on the violin, 45 g in Low, 52 g in Med and 61 g in High, each with screws.


Regular price€35,95
/
Tax included.

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