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KUN-200C
The middle size of the Collapsible range for 1/2 and 3/4 violins, in classic brown or one of four strong colours. Technically identical to the black version, just brighter.
| Sizes | 1/2 and 3/4 violin |
| Colours | Brown, Razzle Dazzle, Atomic Green, Blue Moon, Papaya |
| Body | Composite plastic, foam padded |
| Adjustment | Height, tilt, width |
| Collapsible | yes |
| Manufacturer no. | KUN-200C and colour variants |
Grip and adjustment are the same in every colour. In group teaching the colour is a practical way to tell rests apart when several children use the same model.
The violin is clamped between shoulder and chin and held almost entirely by this clamping; the left hand gives only slight support. The shoulder rest forms the lower abutment of this clamp on the shoulder.
By lifting the vibrating back away from the body, the rest keeps its radiation backwards and downwards free of damping by the body. Its feet grip the edge of the lower bout; each of these small points of contact acts on the vibration of the back only locally (damping, that is, drawing energy from the vibration), and the more strongly the back vibrates at exactly that spot, the greater the effect.
At the edge the top and back overhang the ribs by around 3 mm, and the back is worked thicker there, around 3.3 mm, than in the adjoining area at 2.5 to 2.8 mm. The width of the rest is governed by the width of the lower bout, and on a 4/4 violin also by a rib height of 30 mm.
Kun makes its shoulder rests in Canada. Joseph Kun founded the company in Ottawa in 1972, as a violin teacher looking for a solution for pupils who found it hard to hold their instrument steadily.
The principle is the same across the classic models: a body carries end members at both ends with round drums into which the feet are screwed. On the Original, Collapsible, Super and Solo the body is a composite, on the Bravo it is wood. The height comes from how far the feet are screwed in; their screws come in lengths of 15 mm, 22 mm and 33 mm.
A patented locking device on the drums holds the chosen position and keeps the end members clear of the instrument.
When a player needs the extra long screw on both sides, we first recommend the Solo, which sits higher from the outset.
Players who prefer to play without a shoulder rest and want more hold at the chin are better served by a taller chin rest, on the 4/4 violin for example the Morawetz High with its 25 mm cup height.
Players who want to set every axis of the rest individually will find their partner in the Kun Seven, with three height adapters, a pivoting coupler joint and ratchet width adjustment.
The rest lifts the vibrating back away from the body and touches the instrument only with its feet at the edge of the lower bout. Each of these points of contact has a local damping effect, the stronger the more the back vibrates at exactly that spot.
The lower bout of a 3/4 violin is around 195 mm wide. The rest is set so that both feet grip the rib securely at the edge of the lower bout.
No, Original and Collapsible end members differ in size and cannot be swapped.
Kun manufactures in Canada; the wooden body of the Bravo is made by hand in Italy.
These texts hold decades of experience and a great deal of heart. They are protected by copyright, C.A. Götz jr. GmbH. Please ask us before any use. Thank you for your appreciation.
